As far as digital technology has come, there’s still one thing that digital cameras won’t do: give you perfect color every time. In fact, if they gave us perfect color 50 percent of the time, that ...

In all video editing programs with a color correction function, there are two graphs, or scopes, that you'll need to refer to: the vectorscope and waveform monitor. Reading the vectorscope and ...

Most people distinguish good photos from bad photos based on just a handful of factors: the focus, exposure, framing, and color balance. And while the first three are pretty obvious, color balance is ...

Avid has long been the overwhelming NLE of choice for major feature films and primetime scripted TV shows. One of the many strengths of Avid is the method of applying color correction. In the last few ...

Today’s cameras make it easier than ever for shooters to get good-quality footage, but sometimes the camera misreads the brightness or color balance, or the environment’s lighting introduces a color ...