When K encounters the billboard version of Joi in Blade Runner 2049 she is not voiced by Ana de Armas but rather assistant editor Mary Lukasiewicz. The difference in voice, as well as her hypersexualised appearance, suggests that at some point K modified/customised his Joi model. The haunting sequence is also a perfect indication as to why Blade Runner 2049 would be the film to finally earn Roger Deakins an Academy Award for cinematography. | Industria